It was not at the moment âThe Yellow Wallpaperâ was written when it found an audience who could understand it. When Charlotte Perkins Gilman wrote this piece of literature work in 1892, she had no idea that her short story would become a classic feminist literature.
It was some decades ago when Gilmanâs piece of work was considered an early expression of feminist criticism because of its subtle denounce against the repression and limited freedom women used to have during the Victorian era. It is difficult to identify which critical approach would fit the best when trying to analyze this story without taking into perspective the authorâs personal experience. Gilman herself, as the narrator in âThe Yellow Wallpaperâ, had been prescribed the ârest cureâ after giving birth. This was an imposed treatment given to women who showed some signs of stress or nervousness break. This treatment, however, was more likely to drive women insane because of the period of inactivity, limited freedom, and self-expression.
The story is about how the narratorâs ânervous conditionâ misdiagnosed by her husband, who is a physician, is misunderstood in such a way that drives the narrator into madness. Her husband is not willing to listen and or understand the narratorâs legit psyche and needs: âIf a physician of high standing and oneâs own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression â a slight hysterical tendency â what is one to do?â (Gilman, 1980).
In the 19th century, the medical field had not enough information on how to treat women with mental health issues usually misdiagnosed as hysteria. The ârest cureâ was a way to gain control over womenâs mental behavior. Little the medical field knew that these mental issues could be more about the postpartum effects a woman may experiment after giving birth. In âThe Yellow Wallpaperâ the reader can assume that this is what the narrator may be suffering from, taken from the following remarks: âIt is fortunate Mary is so good with the baby. Such a dear baby! And yet I cannot be with him, it makes me so nervousâ (Gilman, 1980) It is possible to understand that Gilman wrote this story to raise awareness upon her own experience about how, in a patronizing era, male doctors would dismiss a female patientâs words. Overall, males disregarding to listen and understand womenâs own needs and words, in such a way that they are driven to real madness.
Gilman did express after writing âThe Yellow Wallpaperâ that she wrote this story to protest this treatment. The autobiographical details found in the story are persuasive and the symbolism which supports the feminist associations is evidence enough to discuss that âThe Yellow Wallpaperâ cannot be analyzed from a simple gender approach, but from a biographical approach as well.
Work Cited
- Gilman, Charlotte Perkins. âThe Yellow Wallpaperâ. The Charlotte Perkins Gilman Reader: âThe Yellow Wallpaperâ and Other Fiction. Ed. Ann J. Lane. New York: Pantheon, 1980. 3-20. Print.
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Feminist Criticism in Charlotte Perkins Gilmanâs âThe Yellow Paperâ.
(2023, September 08). Edubirdie. Retrieved October 13, 2023, from https://edubirdie.com/examples/feminist-criticism-in-charlotte-perkins-gilmans-the-yellow-paper/
âFeminist Criticism in Charlotte Perkins Gilmanâs âThe Yellow Paperâ.â Edubirdie, 08 Sept. 2023, edubirdie.com/examples/feminist-criticism-in-charlotte-perkins-gilmans-the-yellow-paper/
Feminist Criticism in Charlotte Perkins Gilmanâs âThe Yellow Paperâ. [online].
Available at: <https://edubirdie.com/examples/feminist-criticism-in-charlotte-perkins-gilmans-the-yellow-paper/> [Accessed 13 Oct. 2023].
Feminist Criticism in Charlotte Perkins Gilmanâs âThe Yellow Paperâ [Internet]. Edubirdie.
2023 Sept 08 [cited 2023 Oct 13].
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